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riggerrob 643
Thanks for the observation about them all recording video at 690K pixels.
25mm adapter rings are already available for Way Cool Industries in Australia and Max Cohn also plans to sell them in the near future.
Both HC series and PC109 will fit in my old Bonehead full box helmet. D-boxes should be available soon from several manufacturers.
25mm adapter rings are already available for Way Cool Industries in Australia and Max Cohn also plans to sell them in the near future.
Both HC series and PC109 will fit in my old Bonehead full box helmet. D-boxes should be available soon from several manufacturers.
sammer 0
OK, it sounds like you know what you're getting into.
I just took another look at sonystyle.com and noticed that the HC-20 and 30 record video with 340K pixels vs. 690K for the HC-40 and PC-109. They also have a smaller CCD (1/6" vs. 1/5"). I don't know if that makes a noticable difference in picture quality or not.
Do you know of anyone working on d-boxes for the 109 besides cookie? I'm kind of in the market for one right now.
Sam
I just took another look at sonystyle.com and noticed that the HC-20 and 30 record video with 340K pixels vs. 690K for the HC-40 and PC-109. They also have a smaller CCD (1/6" vs. 1/5"). I don't know if that makes a noticable difference in picture quality or not.
Do you know of anyone working on d-boxes for the 109 besides cookie? I'm kind of in the market for one right now.
Sam
Generalising a bit: bigger lens lets more light in (= better picture), bigger CCD captures more light ( = better picture) and more pixels more accurately capture the light ( = better picture).
Can't say I've particularly noticed a quality difference between small and large lenses but the difference between megapixel and sub-megapixel cameras is quite noticeable (to me, anyway).
Can't say I've particularly noticed a quality difference between small and large lenses but the difference between megapixel and sub-megapixel cameras is quite noticeable (to me, anyway).
does any one have a pic of theirs on the helmet?
pyke 0
Quotewhat is it about the HC 40 that's worth the extra money over the 30? The better still photos?
Yup, the 40 just takes better stills. Good if you want to snap off a few instant boogie nightlife photos, or have it double for a digital still when not jumping, but otherwise, not practical for jumping footage.
Perhaps we can get Quade to chime in on this one, but if I'm not mistaken - the 30 and 40 are simply newer, spruced up versions of the TRV-22/33. Your thoughts, quade? I know we both own the 22 (bought mine after your rave reviews), but after buying it, I thought I might/should have spent the $75 extra on the 33 for the 'occasional' still photos and higher resolution for grabbing stills from video. Were we smarter to stick with the 22, or should I/we be looking to 'upgrade' to the 40 soon??
Just thought I'd ask, was checking out the 40 last night and the thought occurred to me (doesn't happen often - so I had to run with it!)
Kahurangi e Mahearangi,
Kiwi, RB #926, AFF-I, FAA Snr. Rigger, RN/BSN/Paramedic
quade 4
Well, I have a slightly different perspective.
Until the technology improves considerably I'm probably not ever going to use a video camera to take stills. So, for me, any of those functions are simply a waste.
Sony doesn't seem interested, at least right now, in creating a combination video/still camera that is capable of doing both very well separately, let alone at the same time. The closest thing right now is the PC330, but even at 3.3 mega pixels, I still wouldn't use it for still photography unless my D60 went belly up for some reason.
The HC40, with about 1 mega pixels, is only slightly better than a frame grab from video. Although I will admit that is probably a progressive scan image and not interlaced like video. The chip in the HC40 is also quite small (1/6" as opposed to 1/3" so, only 1/4 the size of a TRV chip) meaning that any defects, dust or whatever is really going to show up -- especially on a print.
Until the technology improves considerably I'm probably not ever going to use a video camera to take stills. So, for me, any of those functions are simply a waste.
Sony doesn't seem interested, at least right now, in creating a combination video/still camera that is capable of doing both very well separately, let alone at the same time. The closest thing right now is the PC330, but even at 3.3 mega pixels, I still wouldn't use it for still photography unless my D60 went belly up for some reason.
The HC40, with about 1 mega pixels, is only slightly better than a frame grab from video. Although I will admit that is probably a progressive scan image and not interlaced like video. The chip in the HC40 is also quite small (1/6" as opposed to 1/3" so, only 1/4 the size of a TRV chip) meaning that any defects, dust or whatever is really going to show up -- especially on a print.
quade -
The World's Most Boring Skydiver
The World's Most Boring Skydiver
pyke 0
once again, your logic and experience astound!!!
Thanks for the input - I'll stick with my 22!!
Kahurangi e Mahearangi,
Kiwi, RB #926, AFF-I, FAA Snr. Rigger, RN/BSN/Paramedic
Thanks for the input - I'll stick with my 22!!
Kahurangi e Mahearangi,
Kiwi, RB #926, AFF-I, FAA Snr. Rigger, RN/BSN/Paramedic
Small corrections should be done.
HC-15 is the new camcorder somewhere between TRV-19 and TRV-22. All of them have 1/4" chip with 800k pixels. HC-15 is a good camcorder to start with. Video quality of HC-15 is the same as TRV-19/22.
HC-40 is the TRV-33 in a new shell. HC-40 has 1/5" chip and 1070k pixels (TRV-33 has 1/4.7" and 1070k). Video quality is the same as TRV-33, stills looks very similiar too. But HC-40 has manual white balance feature. That may help a lot.
HC-18,20 and 30 are not that good. They have 1/6" chip with 800k pixels, video quality is rather bad when shooting video in the dark. However, when shooting skydiving video, there are always enough light, so thay can be used for freefall video.
So, I'm thinking of HC-15 or HC-40 (in a month, after I complete my 200th).
HC-15 is the new camcorder somewhere between TRV-19 and TRV-22. All of them have 1/4" chip with 800k pixels. HC-15 is a good camcorder to start with. Video quality of HC-15 is the same as TRV-19/22.
HC-40 is the TRV-33 in a new shell. HC-40 has 1/5" chip and 1070k pixels (TRV-33 has 1/4.7" and 1070k). Video quality is the same as TRV-33, stills looks very similiar too. But HC-40 has manual white balance feature. That may help a lot.
HC-18,20 and 30 are not that good. They have 1/6" chip with 800k pixels, video quality is rather bad when shooting video in the dark. However, when shooting skydiving video, there are always enough light, so thay can be used for freefall video.
So, I'm thinking of HC-15 or HC-40 (in a month, after I complete my 200th).
Is it true that the larger the CCD the better the quality of still or video?
Arvel
Arvel
BSBD...........Its all about Respect,
USPA#-7062, FB-2197, Outlaw 499
USPA#-7062, FB-2197, Outlaw 499
I'm not quade, but I know the answer.
Large CCD can accumulate larger amount of light, so, digital amplificatin is not needed. Digital amplification adds noise, and the darker the night, the more noise will be added. For freefall photography/video, there are a lot of light everywhere so you may never notice difference between camcorders/still cameras with different CCD sizes. But in darker areas (inside the plane, for example) difference will be VERY noticeable.
It is applicable both for video and photography.
CCD size itself does not allow to judge about video quality. More important parameter is the pixel size on the CCD. More pixels, less pixel size on the same CCD. That is why camcorders with 1/4" and 800k pixels may shoot better than 1/4.7" and 1070k pixels.
Large CCD can accumulate larger amount of light, so, digital amplificatin is not needed. Digital amplification adds noise, and the darker the night, the more noise will be added. For freefall photography/video, there are a lot of light everywhere so you may never notice difference between camcorders/still cameras with different CCD sizes. But in darker areas (inside the plane, for example) difference will be VERY noticeable.
It is applicable both for video and photography.
CCD size itself does not allow to judge about video quality. More important parameter is the pixel size on the CCD. More pixels, less pixel size on the same CCD. That is why camcorders with 1/4" and 800k pixels may shoot better than 1/4.7" and 1070k pixels.
After waiting 2 weeks for a 25mm - 37mm step ring I finaly got to jump my new HC30E today.
Only managed 1 jump but was still very impressed.
I had it mounted on my FTP and found it easy to switch on whilst wearing it, I have a cam eye fitted but i only use it for the indicator, I use the switches on the camera for operation.
A couple of things I was worried about were the zoom lever and the on/off switch being knocked by the reletive wind. As i said I only managed 1 jump but no probs what so ever with them.
The on/off switch for the HC 30E is a rocker switch that cycles through the three options (Tape, memory stick, VCR). The cam eye works great and will flash red if in any other mode than Tape.
The hybrid screen is great for viewing in bright daylight, and the one touch bty indicator is really usefull as you get an instant readout without having to power up the cam.
One gripe I do have is that the HC30E has no onboard SVID connector, that comes as part of the new A/V lead. This is only a minor pain due to the editing suite at my DZ having an SVID lead permanently connected.
I viewed the footage I shot today along side some I shot yesterday with a PC8E and was very happy with the comparable image quality. I must agree with the comments about low light performance, however if its that dark I aint jumping:-).
Buzz
Only managed 1 jump but was still very impressed.
I had it mounted on my FTP and found it easy to switch on whilst wearing it, I have a cam eye fitted but i only use it for the indicator, I use the switches on the camera for operation.
A couple of things I was worried about were the zoom lever and the on/off switch being knocked by the reletive wind. As i said I only managed 1 jump but no probs what so ever with them.
The on/off switch for the HC 30E is a rocker switch that cycles through the three options (Tape, memory stick, VCR). The cam eye works great and will flash red if in any other mode than Tape.
The hybrid screen is great for viewing in bright daylight, and the one touch bty indicator is really usefull as you get an instant readout without having to power up the cam.
One gripe I do have is that the HC30E has no onboard SVID connector, that comes as part of the new A/V lead. This is only a minor pain due to the editing suite at my DZ having an SVID lead permanently connected.
I viewed the footage I shot today along side some I shot yesterday with a PC8E and was very happy with the comparable image quality. I must agree with the comments about low light performance, however if its that dark I aint jumping:-).
Buzz
It's nice to be important, but it's more important to be nice.
Sam
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